31 days Kannada movie review , songs , trailer

31 Days movie directed by Raja Ravi Kumar is a bold romantic drama that attempts to explore modern relationships through the lens of a 31day livein experiment.It centers around Niru (Niranjan Kumar Shetty), a carefree young man living with his unemployed friend Ramesh (Chillar Manju). Niru is infatuated with Nikitha (Prajwaly Suvarna), a bold and independent woman preparing to move abroad. After two years of silent admiration, Niru finally confesses his feelings. Nikitha, skeptical of romantic compatibility, proposes a 31day livein relationship in a secluded estate house with a strict agreement: if either party walks out early, they must pay a ₹15 lakh penalty. What begins as a romantic experiment soon spirals into a chaotic blend of flirtation, emotional clashes, and eerie disturbances. As the couple navigates intimacy, misunderstandings, and family revelations, Niru suspects the house may be haunted. The film attempts to blend romance with psychological tension.

Niranjan Shetty’s performance is lively . Prajwaly Suvarna stands out with her bold portrayal, especially in emotionally vulnerable moments. Chillar Manju’s humor works in parts. Raja Ravi Kumar’s direction is ambitious, aiming to tackle themes like modern love, emotional compatibility, and societal taboos. The screenplay starts strong with an intriguing premise. The film tries to juggle romance, horror, and comedy. Music by V. Manohar is melodic in parts.

Movie shows that Communication is the foundation of any relationship—silence breeds misunderstanding . Compatibility isn’t just emotional—it’s practical and psychological . Freedom in love must be balanced with responsibility  . Modern relationships require emotional maturity, not just attraction. Agreements can’t replace empathy—real connection comes from understanding.

▶ Trailer

▶ Mella Mella

▶ oh Sanorita

▶ Sada Ninnanne

▶ Superman

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Elumale Kannada movie review , songs , trailer

Elumale movie directed by debutant Punit Rangaswamy is a gripping thriller that fuses romance, real life history, and regional tension into a taut, emotionally resonant narrative. Set against the backdrop of the infamous Operation Cocoon, Elumale follows Harisha (Raanna), a cab driver from Mysuru, and Revathi (Priyanka Achar), a wealthy Tamil Nadu girl whose arranged marriage looms. The two lovers plan to elope from the sacred Male Mahadeshwara Hills, but fate has other plans.  As Harisha travels to meet Revathi, he stumbles into a web of danger: forest bandits smuggling AK47s, corrupt police officers, and a Special Task Force closing in on Veera (Veerappan), who is plotting an escape to Sri Lanka. The film unfolds over a single night, where every wrong turn tightens the net around Harisha and Revathi. Their love story—tender, defiant, and desperate—runs parallel to a highstakes manhunt. The question isn’t just whether they’ll unite, but whether they’ll survive.

Raanna and Priyanka Achar shine in their roles, especially in emotionally charged scenes. Kishore and Jagapathi Babu bring gravitas to the thriller elements, while Nagabharana adds philosophical depth. Punit Rangaswamy’s debut direction is confident and ambitious. He weaves a fictional love story into a real historical event with surprising finesse. The screenplay is tight, especially in the first half, where tension builds steadily through missed calls, bloodstains, and shadowy encounters. The writing balances romance, action, and social commentary without losing sight of its emotional core. Music by D. Imman: Atmospheric and emotionally resonant . Cinematography by Advaita Gurumurthy, captures forest terrain and temple landscapes with poetic realism.The technical team elevates the film’s immersive quality, especially in scenes set deep within the forest and temple precincts.

Movie shows that Love requires courage—not just passion. History isn’t just in textbooks—it shapes lives and destinies. Freedom often comes at the cost of sacrifice. Communication is survival—silence can be fatal. Communication is survival—silence can be fatal. Justice is complex—truth often lies between guilt and innocence

▶ Trailer

▶ Anumale Jenumale

▶ Yavaga Yavaga

▶ Kaapado Dyavare

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Om Shivam Kannada movie review , songs , trailer

Om Shivam, directed by Alwin Francis is a romantic action thriller that attempts to blend youthful passion, family conflict, and gritty violence into a high voltage cinematic experience.It revolves around Anjali and Shivu, two teenage lovers caught between their personal dreams and the harsh realities of societal judgment. Their love story is tender but turbulent, as Anjali’s mother opposes the relationship for reasons rooted in past trauma.  Anjali insists on marrying Shivu despite her mother’s resistance, triggering a chain of events that spiral into unexpected violence. The narrative takes a darker turn with the introduction of honey traps, drug syndicates, and murder plots, weaving a thriller around what begins as a simple love story. The film explores how love, when challenged by family secrets and external threats, can either evolve into resilience or collapse under pressure. The climax ties back to the emotional core, revealing the true reason behind the mother’s opposition and the consequences of youthful defiance. The performances are sincere, with Bhargava Krishna and Viranika Shetty anchoring the emotional arc. Lakshmi Siddaiah’s portrayal of a conflicted mother adds depth to the family drama.

Director Alwin Francis takes a bold approach, blending romance with action and psychological tension. The screenplay is packed with twists . The first half builds emotional momentum, while the second half leans heavily into thriller territory. Alwin’s direction is ambitious, attempts to tackle multiple themes—love, trauma, crime, and redemption.

Movie shows that Love demands courage—but also understanding.Communication between generations can prevent emotional damage.  Trauma, when unaddressed, can shape future relationships. Forgiveness is a process—not a moment. Justice isn’t always legal—it’s emotional and personal too .

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▶ Wah Wah

▶ Shivam

▶ Hee Jothegathi

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Austin Na Mahan Mouna Kannada movie review , songs , trailer

Austin Na Mahan Mouna , directed, written, and produced by Vinay Kumar Vaidhyanathan is a poetic, introspective drama that dares to explore silence as its central language. The film opens with a metafictional twist: an elderly couple reads from a mysterious book, each imagining different versions of the story. This sets the tone for a narrative that’s more about mood than momentum.  At the heart of the story is Austin (Vinay Kumar Vaidhyanathan), a quiet, introspective man who lives between duty and longing. He’s a devoted son, a loyal friend to Jerry (Jagappa), and a gentle lover to Jasmine (Risha Gowda), a piano student stifled by her controlling father D’Souza (Balarajwadi). Their romance is tender but static—beautifully framed, softly scored, yet emotionally frozen. As Jasmine is forced into an arranged marriage, she returns to her parental home, only to find Austin emotionally distant and entangled in another relationship. A subplot involving Dr. Lisha (Prakriti K Prasad) and memory loss adds a psychological layer, but the genre shift feels abrupt.

Vinay’s performance is meditative, almost too quiet at times, but it aligns with the film’s thematic core. Risha Gowda brings vulnerability to Jasmine, while Jagappa’s comic timing adds relief. Vinay Kumar Vaidhyanathan wears multiple hats—director, writer, producer, and lead actor. His ambition is evident: to craft a film that speaks through silence, glances, and emotional stillness. The screenplay is lyrical but fragmented. It introduces compelling ideas—like memory, myth, and emotional repression. The first half builds a dreamy atmosphere, while the second half veers into psychological thriller territory. Music by Vishwambara is gentle and ambient; complements the film’s introspective tone. Cinematography by Rajkanth & Srinivas captures coastal landscapes and intimate interiors with poetic flair . 

Movie shows that Silence can be powerful—but it must be understood, not feared . Love without communication is longing, not connection. Memory is fragile—what we forget shapes us as much as what we remember. Friendship and emotional support are often more healing than romance. Spirituality isn’t loud—it’s found in quiet reflection and acceptance.

▶ Trailer

▶ Ne Sanihake

▶ Ekantaku eega

▶ Ee Bharavase

▶ Austin breaks bad

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Namo Venkatesha Kannada movie review , songs , trailer

Namo Venkatesha, directed by Vijay Bharadwaj is a heartwarming romantic comedy that blends humor, emotion, and spiritual undertones into a clean family entertainer. It follows the journey of Venki (played by Vijay Bharadwaj), a cheerful and everhopeful young man whose life revolves around spreading positivity. He meets Rashmi (Anvitha Sagar), a grounded and pragmatic woman, and their love blossoms naturally. Just as their relationship begins to deepen, life throws unexpected challenges that pull them apart.  Venki embarks on a humorous and emotional quest to reconnect with Rashmi, navigating misunderstandings, family pressures, and his own spiritual beliefs. The film is peppered with comedic detours, heartfelt moments, and a subtle undercurrent of devotion to Lord Venkatesha, which adds a philosophical layer to the otherwise lighthearted narrative.

Director Vijay Bharadwaj crafts a narrative that is simple yet emotionally resonant. His screenplay avoids melodrama, focusing instead on characterdriven storytelling. The pacing is gentle, allowing the audience to connect with the emotional beats and comedic rhythms.  The screenplay is structured around Venki’s internal and external journey—his love story, his spiritual dilemmas, and his unwavering belief in positivity. 

Movie shows that positivity is a choice—Venki’s character reminds us that hope can be cultivated . Faith and love are intertwined—spiritual belief can guide emotional healing . Communication matters—many conflicts stem from silence, not malice  . Letting go is sometimes the path to reunion  . Life’s detours often lead to deeper understanding  

▶ Trailer

▶ Eno Kushi

▶ Edeyali

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